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DMP-T04 · Logic Pro X 2026 MasterRecovered · complete

Everything and Nothing (Don't Think That)

Fourth single released from the declassified archive. Originally written in 1988 on Atari 1040ST before further development on Macintosh Classic.

Everything and Nothing (Don't Think That) single cover
Single cover · Everything and Nothing (Don't Think That)

Release destinations

Lyrics as written

The subtle fascination

Oh, but fascination fades

Memories of everything

Where truly what you gave

When did start

How did it end

Why even think

What could have been

Who thought my heart would ever mend

It seems there’s someone new in you

Conviction mends yet tears in two

Don’t think that

Don’t think that

Don’t think that I don’t care

Don’t think that

Don’t think that

Don’t think that I won’t be there

Don’t think that

Don’t think that

Don’t think that I don’t care

Don’t think that

Conviction mends yet tears in two

A simple moment

Stolen one time

The moments never last

Everything that came too soon

Left nothing, nothing

Built to last

When did start

How did it end

Why even think

What could have been

Who thought my heart would ever mend

It seems there’s someone new in you

Conviction mends yet tears in two

Don’t think that

Don’t think that

Don’t think that I don’t care

Don’t think that

Don’t think that

Don’t think that I won’t be there

Don’t think that

Don’t think that

Don’t think that I don’t care

Don’t think that

Who thought my heart would ever mend

Who do we praise

Who do we blame

Who really cares

It’s all the same

Don’t think that

Don’t think that

Don’t think that I don’t care

Don’t think that

Don’t think that

Don’t think that I won’t be there

Don’t think that

Don’t think that

Don’t think that I don’t care

Don’t think that

Conviction mends yet tears in two

Don’t think that

Don’t think that

Don’t think that

Don’t think that

Don’t think that

Don’t think that

Don’t think that

Who thought my heart would ever mend

Story behind the music

I wrote Everything and Nothing on my Atari 1040 ST before owning a Macintosh or the Ensoniq EPS, with its built-in sequencer. I'd been writing songs with verses and choruses that used different chord progressions for each. I'd realized many of my favorite songs had the same bassline for both verse and chorus, and took on that challenge. Changing the melodies over the basslines produced changed energy in the song while it remained simpler in structure.

An interesting lyrical footnote: the original second verse in 1989 was "The lipstick on the mirror. The heartache on the floor. Everything that came to pass, left nothing. Left nothing to adore".

Restoration notes

  • ▪

    Released as a digital single on 21 August 2026.

  • ▪

    Captured in one take from the original hardware chain after a final sequencer-file parity check.

Technical record
Catalogue no.DMP-T04
Track4 of 8
Written1988
Runtime3:10
Tempo122 BPM
KeyA minor
Original SequenceMOTU Digital Performer — 20 tracks
SourceLogic Pro X 2026 Master
StatusRecovered · complete
Original Equipment Used
Unit 1Atari 1040ST
Unit 2Macintosh Classic with MOTU Digital Performer
Unit 3Ensoniq EPS
Unit 4Ensoniq ESQ-1M
Vintage beige all-in-one desktop computer with small monochrome screen and floppy drive, yellowed with age, photographed against a grey archival background
DMP/EV/005Sold

Macintosh Classic

Most sequences written on Ensoniq EPS were transferred to a Macintosh Classic for recording sessions. This machine was sold in the early 1990s.

Class
Hardware
Dated
In service 1988–1990
Late-1980s black digital sampler unit with small green LCD display, grey buttons and a data wheel, photographed against a grey archival background
DMP/EV/006Replaced

Ensoniq EPS sampler

Every melodic and percussive sound in the archive originated here.

Class
Hardware
Dated
In service 1989–1990