
Original four-song demo tape
This is the original four-song demo tape recorded in Sidney's bedroom: Kisses You Send Me, Turn Blue, At My Touch, and Sometimes Love.
- Class
- Audio record
- Dated
- 1990
Every object required to hear this music again. Photographed on arrival, before cleaning, with condition reports as filed by the recovery team.

This is the original four-song demo tape recorded in Sidney's bedroom: Kisses You Send Me, Turn Blue, At My Touch, and Sometimes Love.

A second working cassette containing unfinished instrumentals, filed under the deliberately misheard title ‘Dead Skiers.’

A handbill for Detsky Mir's San Jose appearance at the Cactus Club, dated Friday, December 8, 1989 at 9:00 p.m.

A handbill promoting Devo with Detsky Mir at the Oasis in San Jose. The oversized 'DEVO' lettering dominates the page, with 'detsky mir' listed as support below.

Most sequences written on Ensoniq EPS were transferred to a Macintosh Classic for recording sessions. This machine was sold in the early 1990s.

Every melodic and percussive sound in the archive originated here.

The Ensoniq ESQ-M rackmount supplied wavetable and analog synthesis voices alongside the EPS sampler during the project's composition period.

The Kawai K1 formed part of the keyboard palette documented in the surviving studio photographs.

This is the interface the catalogue was written in: a track list, a bar grid, and a conductor track holding the tempo.

Sidney holds a cello and Reid a trumpet in this photo exposed twice onto the same frame. Reid is classically trained and was performing the trumpet at the University they attended. The music Detsky Mir created was all synthesizer and sample driven. The use of classical instruments in the photo shot reflect their incorporation of sampled trumpets, saxaphones and upright bass in their music.

Sidney at the edge of a hung sheet, lit from one side. Reid is visible in the shadow behind a stage prop pillar.

Sidney and Reid against a lit wall, Reid standing, Sidney seated low in the frame. The diagonal pen stroke has been removed from the display scan and the standing subject's face reconstructed from the surrounding photographic detail.

Every instrument named in the recovered session files is somewhere in this frame: the sampler on its stand with Kawai K1 above it. The Apple Macintosh computer has not been purchased yet.

Seventeen years after the split, both men in one frame again, arms across each other's shoulders. Nothing in the archive explains how the evening was arranged; the file simply exists, dated and flash-lit.

Reid Basso at the microphone during a live show at the Cactus Club in San Jose. The image preserves the room as it was seen from the floor: dark, crowded and cut through by coloured stage light.

Reid in downtown San Jose, promoting an upcoming Detsky Mir show against a wall layered with handbills, club posters and street notices.

Wendy Lynn, whose vocal styling helped bring the reformed Detsky Mir Project into its next chapter in 2016.
Related holdings: VHS Vault